Or Who Would Have Expected Us To Leave That Way?
After The
Juggler by Remedios Varo
We decided to skip the afternoon bus ride
and sneak out through the convent’s main gate
guarded by the twin Sisters.
As soon as the hunchback nun turned around
to answer her stuttering twin’s call from inside
the parlor, we jumped in unison
out the first floor’s half-opened window.
We barely caught our breath till we reached
the town square.
We knew we couldn’t remain unnoticed for long
in our gray uniform. At the sight of the juggler,
we stood, mesmerized.
His hands handled fiery balls in elliptical
trajectories bringing forth the movement
of stars and constellations.
The same energy flowed through our body
as we held hands tightly as though a single
cape enveloped us.
First published by The
High Window
From Or Did You Ever
See The Other Side? (Press 53 2023)
Riding the Winged Tricycle
When Saturn’s three crescent moons enter
their wild dance, I see myself riding
the winged tricycle of my youth towards
an open nave that grows into a caravel
flaunting my winged effigy on its prow,
a figurehead that appears as the centerpiece
of a gilded triptych while concentric dark
brushstrokes around my wide-open eyes
convert me into a revered icon, glowing
crescents hover above my head, halos
inscribed within the alignment of Orion’s
three stars, ominous signs tell me that age
is but an illusion, that I can ride that small
bike, soar, heady with my childhood
dreams, dizzy with the illusion that past,
present and future come
together at once.
First published by Anima
Methodi Anthology
From The Taste of the Earth (Press 53 2019)
Waiting
in a Field of Melted Honey
I am waiting in a field of melted honey, hiding behind a blue tree that is not really a tree, a root Vincent chose to paint as a tree, you know, the painting where roots are the size of trees, gnarled trees with severed limbs, sterile against the golden field swaying, the tall grass bending, and of course no one can tell, but l feel the wind too, swelling my blue-flowered dress, you won’t see none of it, for I am behind the huge roots that look like trees and you can only feel the wind in the brush strokes. You will mistake my dress bulging on the side for a knot as if I were a distortion of the oversized joints, leaning against the bark as if against one of his fingers, my space so restricted I can barely move.
The master knows I am waiting for him, eyes
filled with the beauty pouring from his vision.
I know he will take these roots and me with them, trees growing into
rising clouds at nightfall, and he will show me the city lights everything
around us becoming waves of light. When
he remembers me, the tip of his brush releasing me, I will tell him how hot it
was behind the root that was like a tree, how the bright rays made me dizzy. He will take me into his brush, cool me down
with linseed oil and in another field show me the evening sky. I come to life
again, but no one knows I'm here, the gold of my hair, the blue of my dress
broken into lines, narrow paths of color spiraling among the stars on a warm
blue night, the moon and the sun becoming one and I and him, the field and the
sky circling endlessly. I feel the
ripples of the wind, the ocean's foam, my dress flows domelike, its flowers
brighter and brighter, I am everywhere, hear our voices and you now understand
what lies in each swirl, your life, mine, his, together in the dance of the
stars.
First published by Puerto del Sol
From Tea in Heliopolis (Press 53 2013)
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